Air Date: 06/30/2017
Today we take a look at some of the problems with modern policing and how we got to now
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Show Notes
Ch. 1: Opening Theme: A Fond Farewell - From a Basement On the Hill
Ch. 2: Act 1: The evolution of law enforcement - Ideas - Air Date 6-15-17
Ch. 3: Song 1: Hill Street Blues (Main Theme) - Knightsbridge
Ch. 4: Act 2: Positive proposals for police reform - @theLFshow w: @GRITlaura Flanders - Air Date 3-2-17
Ch. 5: Song 2: Hide Your Tears - Daniel Licht
Ch. 6: Act 3: Questioning the purpose of police legitimacy - CounterSpin (@FAIRmediawatch) - Air Date 4-14-17
Ch. 7: Song 3: The Maelstrom - Jim Guthrie
Ch. 8: Act 4: The complications of the Castile case - Code Switch - Air Date 6-21-17
Ch. 9: Song 4: Under Pressure - Queen & David Bowie
Ch. 10: Act 5: Police Violence Is NOT A Few Bad Apples, It's The ENTIRE Barrel - @theyoungturks - Air Date: 05-19-17
Ch. 11: Song 5: Get Up Stand Up - Bob Marley
Ch. 12: Act 6: @PrisonCulture on a holistic view of the problem with policing - @Intercepted w @JeremyScahill - Air Date 5-31-17
Voicemails
Ch. 13: Where the US got its wealth - Elaina from Winston-Salem, North Carolina
Ch. 14: Democratic Leftist - Alan from Connecticut
Ch. 15: Dealing with Russia and the debate within the Democratic party - Ryan from Phoenix
Voicemail Music: Loud Pipes - Classics
Ch. 16: Final comments on the individual vs the societal as seen through a new wallet
Closing Music: Here We Are - Everyone's in Everyone
Recommended Reading:
White People, the Philando Castile Acquittal Should Make You Mad as Hell (Zenobia Jeffries, Yes! Magazine)
Philando Castile and the Terror of an Ordinary Day (Elise C. Boddie, New York Times)
Rethinking Juneteenth in the Age of Black Lives Matter (Sarah Jaffe, Bill Moyers & Company)
The interconnected injustice of Philando, Charleena and Nabra (Preston Mitchum, The Grio)
We are losing the battle against police brutality in America (Shaun King, NY Daily News) *Warning: Autoplay video of police brutality at the top of this article*
Curated by Communications Director, Amanda Hoffman
Produced by Jay! Tomlinson
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